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      
              =                                                                                                                   %                    3             D                                     -             (   .   9   ;   >                                                                 #                                                                       $                           %                              &                                                   !                 "   +          1   7   A                  #           !      &             *           "      '           #      (           $      )           %      *          6   @           &      ,           '      .           (      0           )      1          -           *      4                     +      6           ,                 -                 .         /           /                 0      	           1      
           2         :           3                 4                    5                 6                 7                 8         2           9                 :                 ;                 <                 =                 >                 ?      !           @      "           A      '           B      +           C      ,           D      4           E      5           F      8           G      <           H      ?           I      B           J      E           K      F           [{"id":0,"text":"Drone school rest. The second bar can be empty, or one soft answer higher than the first tone.\n\nIf a second note plays, it starts late, velocity near 0.35, and it does not overlap the first pitch. Across stays false.\n\nDo not write a rhythm. The space after the tone is the phrase.\n","displayText":"Drone school rest. The second bar can be empty, or one soft answer higher than the first tone.\n\nIf a second note plays, it starts late, velocity near 0.35, and it does not overlap the first pitch. Across stays false.\n\nDo not write a rhythm. The space after the tone is the phrase.\n","fieldedText":"silence.md Drone school rest. The second bar can be empty, or one soft answer higher than the first tone.\n\nIf a second note plays, it starts late, velocity near 0.35, and it does not overlap the first pitch. Across stays false.\n\nDo not write a rhythm. The space after the tone is the phrase.\n","heading":"silence.md","docId":"docs/silence.md","namespace":"school","len":54,"span":{"start":0,"end":281,"lineStart":1,"lineEnd":6},"kind":"document","codeSymbols":[],"paths":[],"tableHeaders":[]},{"id":1,"text":"Drone school for Nekromancer. A long tone, then silence. No kick grid.\n\nOne pitch from 36 to 60 starts at tick 0. off is far from on, often the whole bar or half of it. Velocity near 0.5. A second pitch may enter after a long rest, not at the same time.\n\nDo not add a kick, a hat, or a snare. Do not chop the tone into sixteenths.\n","displayText":"Drone school for Nekromancer. A long tone, then silence. No kick grid.\n\nOne pitch from 36 to 60 starts at tick 0. off is far from on, often the whole bar or half of it. Velocity near 0.5. A second pitch may enter after a long rest, not at the same time.\n\nDo not add a kick, a hat, or a snare. Do not chop the tone into sixteenths.\n","fieldedText":"tone.md Drone school for Nekromancer. A long tone, then silence. No kick grid.\n\nOne pitch from 36 to 60 starts at tick 0. off is far from on, often the whole bar or half of it. Velocity near 0.5. A second pitch may enter after a long rest, not at the same time.\n\nDo not add a kick, a hat, or a snare. Do not chop the tone into sixteenths.\n","heading":"tone.md","docId":"docs/tone.md","namespace":"school","len":70,"span":{"start":0,"end":331,"lineStart":1,"lineEnd":6},"kind":"document","codeSymbols":[],"paths":[],"tableHeaders":[]}]{"version":4,"sources":[{"id":"docs/silence.md","digest":"sha256-e50fd413715e44f10b680a5a69c1415fab38c483368fcf5d0991592df660541c","mediaType":"text/plain","namespace":"school","parserVersion":"knolo-raw-v1","analyzerVersion":"knolo-analyzer/en-technical-v1@sha256-f7a0b8a0460160208189ba7e6a43f13969d1efa2a43b884e157f4900807baf4e","chunking":{"strategy":"document","version":"1"}},{"id":"docs/tone.md","digest":"sha256-63c0118b6324ebec7e44b62d96539ab80bad7d9513e81e2b33ba2cf9b86f7059","mediaType":"text/plain","namespace":"school","parserVersion":"knolo-raw-v1","analyzerVersion":"knolo-analyzer/en-technical-v1@sha256-f7a0b8a0460160208189ba7e6a43f13969d1efa2a43b884e157f4900807baf4e","chunking":{"strategy":"document","version":"1"}}]}{"version":1,"nodes":[{"id":"n_2adad15a","label":"far from on often the whole bar or half of it"},{"id":"n_75c1d269","label":"the phrase"},{"id":"n_ab3a8a0a","label":"off"},{"id":"n_d421d439","label":"the space after the tone"}],"edges":[{"id":"e_96231c50","from":"n_ab3a8a0a","p":"is","to":"n_2adad15a","evidence":[1]},{"id":"e_a86a20e1","from":"n_d421d439","p":"is","to":"n_75c1d269","evidence":[0]}],"index":{"labelToId":{"far from on often the whole bar or half of it":"n_2adad15a","the phrase":"n_75c1d269","off":"n_ab3a8a0a","the space after the tone":"n_d421d439"},"out":{"n_ab3a8a0a":["e_96231c50"],"n_d421d439":["e_a86a20e1"]},"in":{"n_2adad15a":["e_96231c50"],"n_75c1d269":["e_a86a20e1"]}}}